Show Details
The Palace
Auburn Hills, MI
USA
June 27, 1995
Set List
Set 1
- Greatest Story Ever Told >
- Bertha
- New Minglewood Blues
- Ramble On Rose
- Queen Jane Approximately
- Lazy River Road
- Eternity >
- Don't Ease Me In
Set 2
- Victim Or The Crime >
- Foolish Heart
- It's All Too Much >
- Corinna >
- Drums >
- Space >
- The Last Time >
- Standing On The Moon >
- Sugar Magnolia
Encore
Lineup
-
Jerry Garcia guitar, vocals
-
Bob Weir
guitar, vocals -
Phil Lesh
bass, vocals -
Bill Kreutzmann
drums -
Mickey Hart
drums -
Vince Welnick
keyboards, vocals
Show Facts
Final "Bertha".
Final "Greatest Story Ever Told".
Final "Minglewood Blues".
Final "Ramble On Rose".
Final "Foolish Heart".
2 Comments
2 Comments
SUBMIT YOUR OWN
Thank you for contributing to the collective memory of Jerry Garcia. We’re so happy to see the moments captured by fans have a place in the digital space where Jerry lives on.
James Huycke | Thursday, January 11th, 2018
The Palace was a smooth, symmetrical oval of a bathtub, typical of mid-90s basketball arenas. We had experienced a number of shows there, so the routine had a comfortable familiarity about it.
Greatest Story has always been popular with me, particularly as an opener, and Bertha’s odd rhythms and relative personal rarity also made it a favorite. Eternity was unfortunately branded among our crowd as one of the weaker “new” songs, but all in all it was a decent set list with which to open our part of the tour.
Victim or the Crime really needs to be experienced, preferably live, with an openness to possible personal lyrical interpretations to be fully appreciated. Perhaps most important to understand about this composition is its structure—the persistently dark drone (often also lit that way by Candace with subtle and sickly shades of violet and green) inevitably decays into chaos, followed by a futile resurrection to some semblance of order, only to devolve again into darkness. After several waves of increasingly fruitless attempts at salvation, the melody and even the rhythm is abandoned in a mire of despair. For those who were in the know, the stark honesty of the performance was painful to experience. Foolish Heart was not an uncommon follow-up, also painfully evocative with its “Valentines of flesh and blood”. It’s All Too Much, Last Time and SOTM added to the darkly prophetic theme.
josh barton | Monday, June 29th, 2015
I met Sara there.she was a friend for the rest of the summer tour