Show Details
The Palace
Auburn Hills, MI
USA
June 28, 1995
Set List
Set 1
- Mississippi Half-Step Uptown Toodeloo >
- Good Morning Little School Girl
- Loser
- Black Throated Wind
- Just Like Tom Thumb's Blues
- Big Railroad Blues >
- The Music Never Stopped
Set 2
- China Cat Sunflower >
- I Know You Rider
- Way To Go Home
- Estimated Prophet >
- Uncle John's Band >
- Drums >
- Space >
- Easy Answers >
- Attics Of My Life >
- Good Lovin'
Encore
- Lucy In The Sky With Diamonds
Lineup
-
Jerry Garcia guitar, vocals
-
Bob Weir
guitar, vocals -
Phil Lesh
bass, vocals -
Bill Kreutzmann
drums -
Mickey Hart
drums -
Vince Welnick
keyboards, vocals
Show Facts
Final "Good Morning Little School Girl".
Final "Loser".
Final "Black Throated Wind".
Final "Just Like Tom Thumb's Blues".
Final "Big Railroad Blues".
Final "The music Never Stopped".
Final "Way To Go Home".
Final "Estimated Prophet".
Final "Uncle John's Band".
Final "Easy Answers".
Final "Good Lovin'".
1 Comments
(37) Members were there
Ticket Archive
1 Comments
James Huycke | Thursday, January 11th, 2018
The second show set list, particularly that of the second set, was largely more energetic and up beat than the first. It’s hard not to get pumped up by a China>Rider, even an imperfect one. The relatively rare Attics of my Life provided a brief respite from the generally up tempo tunes. Lucy was regrettably a late comer to recent set lists, which as an audience member struck me as an anthem of rebellion in its own rite.
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Thank you for contributing to the collective memory of Jerry Garcia. We’re so happy to see the moments captured by fans have a place in the digital space where Jerry lives on.
James Huycke | Thursday, January 11th, 2018
The second show set list, particularly that of the second set, was largely more energetic and up beat than the first. It’s hard not to get pumped up by a China>Rider, even an imperfect one. The relatively rare Attics of my Life provided a brief respite from the generally up tempo tunes. Lucy was regrettably a late comer to recent set lists, which as an audience member struck me as an anthem of rebellion in its own rite.